{"id":43427,"date":"2022-06-22T12:08:45","date_gmt":"2022-06-22T10:08:45","guid":{"rendered":"https:\/\/p612233.webspaceconfig.de\/composer\/"},"modified":"2022-10-05T15:37:56","modified_gmt":"2022-10-05T13:37:56","slug":"composer","status":"publish","type":"page","link":"https:\/\/www.ann-helena.de\/en\/composer\/","title":{"rendered":"Composer"},"content":{"rendered":"
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Ton um Ton. Nordlicht, S\u00fcdwind. Wandlungsf\u00e4hig. Female Composer in Progress<\/h4>\n\n

Ann-Helena Schl\u00fcter ver\u00f6ffentlicht regelm\u00e4\u00dfig eigene Orgelwerke und Orchesterwerke bei f\u00fchrenden Musikverlagen. Dar\u00fcber hinaus f\u00fchrt sie Werke anderer auf (Urauff\u00fchrungen). Ihre sich vornehmlich \u00fcber ganz Europa und die USA erstreckende Konzertt\u00e4tigkeit und Diskographie zeugen von ihrem k\u00fcnstlerische Schaffen und ihrer Repertoirevielfalt.<\/p>\n

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Kunst ist Innovation, nicht Variation (AHS)<\/p>\n<\/blockquote>\n

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\n Audite Verlag K\u00fcnstlerprofil CD 2022<\/span><\/a>\n <\/p>\n<\/div>\n

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\n Orchesterwerke Intermezzo Verlag Berlin 2021<\/span><\/a>\n <\/p>\n<\/div>\n

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\n Interview Portrait Furore Verlag Kassel, Tableau Musical 2021<\/span><\/a>\n <\/p>\n<\/div>\n

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\n Mainpost W\u00fcrzburg Interview 2021 <\/span><\/a>\n <\/p>\n<\/div>\n\n

Leaving the imitation and arriving in the Amen. In breathing. Tides and waves. (AHS)<\/p><\/blockquote>\n\n

The feature of my new music is to express emotions and dramatics with feminine, impulsive characteristics, bright voices, high dissonances, and Spice at the organ, which is, despite being the queen of instruments, dark voiced. Music behind the looking glass, like Alice in Wonderland \u2013 daring to have the achildlike, innocent, pure emotional feeling; a new form of childhood: free, diverse, and expressive without being aggressive; touching the unshaped and allowing it to sound. Leave the imitation and arrive in the Amen<\/em>. In breathing. A kind of primal music in our times, in the sense of wild without being threatening, affirmative. Pain and Joie de vivre, expressed in a feminine, bright and tender way. Within classical music, artistic music, the female existence is not given enough importance. It is often defined in a masculine way how form, structure, and technique are supposed to be, and what people expect, desire, and accept. It is about portraying the completeness of life and not only its masculine part and being open to new things. Tides and waves of compositions. Stille och Sn\u00f6. Extraordinarily musical language: Only few composers created such sensitive poetry like her: a woman with a creatively fragrant soul with a dramatic feel for the organ believed to be dead because of its \u201cinflexibility\u201d: compositions of new organ art.<\/p>\n\n

Extraordinarily musical language: Only few composers created such sensitive poetry like her: woman with a creatively fragrant soul with a dramatic feel for the organ believed to be dead because of its \u201cinflexibility\u201d: compositions of new organ art. The gifted and famous all-around talented pianist\/composer\/organist (I tended to write somewhat carelessly, but appropriately: Genius<\/em>) enriches the sparse scene of a rare organ music genre full of sensitivity and delicacy. She rehumanizes this art, especially those people who play the organ in an all too well-behaved way.<\/p>Wolf-G\u00fcnter Leidel, Weimar<\/em><\/cite><\/blockquote>\n

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Schwedische Melodien<\/em><\/strong> <\/p>\n\n\n\n

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Kunst in Musik<\/em><\/strong><\/p>\n\n\n<\/div>

Die 2020 und 2021 von F\u00f6rdergeldern der Ernst- von Siemens-Musikstiftung Schweiz und der Gisela Bartels-Stiftung gef\u00f6rderte Konzertorganistin, Konzertpianistin und Komponistin Ann-Helena Schl\u00fcter, die Konzertfach Orgel 2018-2021 an den Musikhochschulen HfMDK Frankfurt am Main, HfK Heidelberg, HfM W\u00fcrzburg und HfMT Hamburg bei Ericsson, Bossert, van Dijk studierte, Master Note 1,0, konzertiert seit 2010 weltweit auf allen Kontinenten, auch in Corona-Zeiten.<\/p>\n

Konzertexamen Klavier bei Bernd Glemser.<\/p>\n

Ann-Helena Schl\u00fcter, schwedisch-deutsche K\u00fcnstlerin und Lyrikerin, studierte in Deutschland, USA (Phoenix), Australien (Perth) und \u00d6sterreich, gef\u00f6rdert mit DAAD, Konzertfach Klavier Konzertexamen Meisterklassendiplom Bernd Glemser, HfM W\u00fcrzburg, HfMT K\u00f6ln, HfM Detmold, Musikp\u00e4dagogik und Musikwissenschaft an der Universit\u00e4t Leipzig, Universit\u00e4t W\u00fcrzburg, Universit\u00e4t Mozarteum Salzburg (Magister Artium; Promotionsstudiengang, Dissertation vermutlich Ende 2021). Sie ist Musikwissenschaftlerin, Musikvermittlerin und Buchautorin, ver\u00f6ffentlicht CDs bei Audite, H\u00e4nssler Classic, Noten, Lyrikb\u00e4nde und Romane (SCM). Sie ist internationale Preistr\u00e4gerin in Literatur, Musik, Malerei. Sie schreibt Orchesterwerke, Orgelwerke, Klavierwerke, Chorwerke, Songs und Lieder (Laurentius Musikverlag, Furore Verlag, Heinrichshofen Verlag).<\/p>\n

Studium Doppelhauptfach Musikwissenschaft und Musikp\u00e4dagogik, Universit\u00e4t W\u00fcrzburg bei Ulrich Konrad, Friedhelm Brusniak, Magistra Artium.<\/em> Wissenschaftliche Studien bei Alexander Lingas, USA, Elena Ungeheuer, Kai K\u00f6pp, Reinhard Flender, HfMT Hamburg. Promotionsstudium Musikwissenschaft bei Helmut Loos an der Universit\u00e4t Leipzig sowie Promotionsstudium Musikvermittlung und Musikp\u00e4dagogik an der Universit\u00e4t Mozarteum Salzburg bei Heike Henning und Silke Schmid, Freiburg. Ihre Dissertation in der Musikp\u00e4dagogik tr\u00e4gt den Titel BACH BER\u00dcHREN. In den USA studierte sie Kirchenmusik und Kammermusik, Klavier bei Walter Cosand, Eckart Sellheim, Kimberly Marshall, Hugh Sung.<\/p>\n

“Eine Verbindung und Zusammenarbeit schaffen zwischen k\u00fcnstlerischer Profession, Wissenschaft und Forschung ist wichtig.” (AHS)<\/p>\n

Ihr neuestes musikalisches Auftragswerk f\u00fcr Orgel 2021 sind die Fenster von Tholey. Hierzu ist sie mit der K\u00fcnstlerin Mahbuba Maqsoodi in Kontakt. Auch ihre neue CD 2021\/2022 bei Audite-Verlag<\/em> wird eigene Werke enthalten.<\/p>\n

Im Komponieren ist sie schwedisch.<\/p>\n\n

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Ocean Cycle<\/em> for Organ, 2021, Ladegast Orgel Schwerin <\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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Himalaya <\/em>for Organ, 2020, Ladegast Orgel Schwerin <\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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Tempelruf<\/em>, Klais Saal-Orgel W\u00fcrzburg<\/figcaption><\/figure>\r\n<\/div>\n<\/div>\n\n
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Wehmut Klage, <\/em>2021, Trost Orgel Th\u00fcringer Orgelsommer<\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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Apocalyptica<\/em> Corona<\/em> 2021<\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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Pandemic Dance I<\/em> Beckerath<\/figcaption><\/figure>\r\n<\/div>\n<\/div>\n\n
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Pandemic Dance II<\/em> Orgel und Elektronik Zuspielband<\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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Kristalle und Feuer, <\/em>Klais Orgel<\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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\n Zum Player<\/span><\/a>\n <\/p>\n<\/div>\n\n

Virtuose und lyrische Neue Musik. Pandemic Dances<\/h2>\n\n
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Die Komponistin ver\u00f6ffentlicht im Heinrichshofen Verlag, Laurentius Verlag Frankfurt am Main, Furore-Verlag Kassel (Merseburger\/Pan), Glar\u00e8-Verlag Frankfurt am Main, bei H\u00e4nssler Classic, Audite Verlag, Classicophon, Periplaneta-Verlag Berlin, cap-music-Verlag Altensteig, im Musikhaus H\u00f6rle-Waldkauz-Verlag Remscheid und spielt ihre eigene Werke international in Konzerten an Orgel und Klavier. Komposition und Tonsatz bei Prof. Herbold HfMT K\u00f6ln. Ihre Kompositionen f\u00fcr Klavier, Orgel, Ensemble und Chor sprengen und \u00fcberwinden die Grenzen zwischen E- und U-Musik. Aber auch f\u00fcr den Unterricht geeignet und f\u00fcr Studierende \u2013 um sich mit Neuer Musik zu besch\u00e4ftigen und sie zu pr\u00e4sentieren, eine neue Musik, die lesbar, spielbar ist und klingt, Spa\u00df macht und in Erinnerung bleibt. Klang und Melodien. Klangvorstellung, Kreativit\u00e4t und Musikalit\u00e4t sollen vertieft werden, zum eigenen Komponieren anregen, zum lyrischen Denken beim \u00dcben und Konzertieren. <\/p>\n\n\n\n

“Schnee wiederzugeben, wie klingt er? Wie klingt Sehnsucht? Licht, Schmerz, helle und dunkle Sehnsucht und Stille, wie ausgedr\u00fcckt?” (AHS) <\/p>\n\n\n\n

“Dies verbindet meine Werke: der schwedische Teil, das Luftige, Harrende, Wilde, und der deutsche Teil in mir, das Genaue, Starke. Der schwedische Traum und der deutsche: Mit meinen Kompositionen habe ich die Stimmung Schwedens eingefangen, Weite, Ruhe, Seen, nordische Melancholie. Meine Mutter kommt aus Sm\u00e5land, S\u00fcdschweden, J\u00f6nk\u00f6ping, V\u00e4ttern-See \u2013 aus dem Astrid-Lindgren-Schweden. Schon als Kind war ich oft dort, im Herbst, auch zu Weihnachten. Es gab so viel Schnee, dass wir kaum aus dem Haus kamen.”(AHS)<\/p>\n\n\n\n

Die dunklen W\u00e4lder und Seen, die singende Sprache Schwedens, die lange fr\u00fche Dunkelheit im Winter, die unschuldig verspielten Beerensommer und ihre Farben und Sehnsucht – nach einerseits Freiheit, andererseits Geborgenheit. “Meine pianistischen F\u00e4higkeiten und Klangvorstellungen vom Fl\u00fcgel sind auch in meinen Orgelwerken ein- und aufgefangen. Das virtuose Moment und Herausforderung kommen nicht zu kurz.” (AHS)<\/p>\n\n\n\n

Aus ihren Improvisationen sind meist ihre Werke entstanden.<\/p>\n<\/div>\n\n\n\n

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2020: F\u00fcnfzehn Werke f\u00fcr Klavier und Orgel bei Furore-Verlag Kassel, sechs Werke f\u00fcr Orgel bei Laurentius-Verlag Frankfurt am Main. Neue Noten Stille och Sn\u00f6<\/em> (Stille und Schnee) im Heinrichshofen-Verlag 2019, 10 Werke f\u00fcr Orgel (Klavier). Ordentliches Mitglied der GEMA in E- und U-Musik. <\/p>\n\n\n\n

Ver\u00f6ffentlichung zweier B\u00e4nde Klavierwerke und Kammermusikwerke PianoLyrik<\/em> Musikhaus H\u00f6rle, Waldkauz-Verlag Remscheid\/K\u00f6ln. <\/p>\n\n\n\n

Die spieltechnischen Besonderheiten betreffen Klangvorstellung und die Poesie an der Orgel und am Fl\u00fcgel, das Lyrische, leise: an einem (f\u00fcr manche starren) Instrument wie die Orgel, der K\u00f6nigin der Instrumente. Die Aufnahmen zu den Werken (CDs, YouTube, digitale Aufnahmen) m\u00f6gen hier helfen, den Ausdruck zu finden. <\/p>\n\n\n\n

“Musik ist f\u00fcr mich die eindr\u00fccklichste Form von Literatur und Sprache, in ihr laufen Klang, Farben und Poesie zusammen.” (AHS) <\/p>\n\n\n\n

“Jede Note tr\u00e4gt eine Botschaft: Die dunkle W\u00e4lder und Seen, die singende Sprache Schwedens, die lange fr\u00fche Dunkelheit im Winter, die unschuldig verspielten Beerensommer und ihre Farben und viel Sehnsucht – nach einerseits Freiheit, andererseits Geborgenheit. Meine pianistischen F\u00e4higkeiten und Klangvorstellungen vom Fl\u00fcgel her sind auch in meinen Orgelwerken ein- und aufgefangen: Das virtuose Moment.” (AHS)<\/p>\n\n\n\n

Sie improvisiert in vielen verschiedenen Stilen, auch im Jazz und Pop-Bereich\/Singer-Songwriter). Ihre Erfahrungen f\u00fcr ihre Chorwerke: Opernchor des Mainfranken Theater W\u00fcrzburg (Extra-Chor), Kammerchor der Universit\u00e4t W\u00fcrzburg, Jugendchor Oper Leipzig, Bachchor Leipzig, Ch\u00f6re der Musikhochschulen und St. George’s Choir Hobart\/Tasmanien, Australien.<\/p>\n<\/div>\n<\/div>\n\n

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B\u00fchne bebt Akustik<\/strong><\/em><\/p>\n\n\n<\/div>

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\n Zum Youtube Kanal<\/span><\/a>\n <\/p>\n<\/div>\n\n

Konzerte mit ihren eigenen Werken, Blogs, Vlogs, Lesungen und Ausstellungen auf allen Kontinenten, u.a. in Riga, Saldus, Sigulda, Turaida, Dublin, Rostrevor, Link\u00f6ping, Ljungskile\/Resten\u00e4s, K\u00e4rnten, Perth und Phoenix; ausgedehnte Studienreisen und internationale Konzertt\u00e4tigkeit auf allen Kontinenten. <\/p>\n

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“Musik ist die eindr\u00fccklichste Form von Literatur und Sprache, in ihr laufen Klang, Farben, Poesie zusammen.” (AHS) <\/p>\n\n\n<\/div>\n

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Tanz an der Orgel,<\/em> F\u00fchrer Orgel Internationaler Orgelsommer <\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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L\u00e4ngtan <\/em>(Sehnsucht)<\/em>, Blancafort-Orgel Valencia, Spanien <\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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Himmelsliedchen<\/em> Klavier <\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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Schatten-Code<\/em><\/figcaption><\/figure>\r\n<\/div>\n<\/div>\n\n
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Geh aus mein Herz,<\/em> Piano Improvisation<\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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New Wor<\/em>ks, New CD by Audite Verlag, Trost Orgel Th\u00fcringen<\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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Zimbelstern <\/em>Trost-Orgel<\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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Heiliger Geist <\/em>Flentrop Orgel Hamburg<\/figcaption><\/figure>\r\n<\/div>\n<\/div>\n\n

Meine Vorbilder sind u.a. Lili Boulanger und Clara Schumann. (AHS)<\/p>\n

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Sprache von H\u00e4nden: Tintenklang<\/em><\/p>\n\n\n<\/div>\n

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Kristalle<\/em> f\u00fcr Orgel, Klavier, Sopran, Percussion, Fl\u00f6te <\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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Lockdown Cry<\/em> f\u00fcr Orgel, Flentrop Hamburg<\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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Bach Toccata d-Moll<\/em> Ladegast Orgel<\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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Improvisation Choral Lau<\/i>date omnes gentes<\/em><\/figcaption><\/figure>\r\n<\/div>\n<\/div>\n\n
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Liszt B-A-C-H <\/em>Ladegast Orgel Schwerin<\/figcaption><\/figure>\r\n<\/div>\n\n\n\n
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Bach Aria<\/em> Ladegast Orgel Schwerin<\/figcaption><\/figure>\r\n<\/div>\n<\/div>\n
\n<\/div>\n","protected":false},"excerpt":{"rendered":"Ton um Ton. Nordlicht, S\u00fcdwind. Wandlungsf\u00e4hig. Female Composer in Progress Ann-Helena Schl\u00fcter ver\u00f6ffentlicht regelm\u00e4\u00dfig eigene Orgelwerke und Orchesterwerke bei f\u00fchrenden Musikverlagen. Dar\u00fcber hinaus f\u00fchrt sie Werke anderer auf (Urauff\u00fchrungen). Ihre sich vornehmlich \u00fcber ganz Europa und die USA erstreckende Konzertt\u00e4tigkeit und Diskographie zeugen von ihrem k\u00fcnstlerische Schaffen und ihrer Repertoirevielfalt. Kunst ist Innovation, nicht Variation… View Article<\/a>","protected":false},"author":1,"featured_media":15074,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-43427","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nComposer - Ann-Helena Schl\u00fcter<\/title>\n<meta name=\"description\" content=\"Ton um Ton. Nordlicht, S\u00fcdwind. Wandlungsf\u00e4hig. 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